What was the last name of Hokusai before his death?

Hokusai, in full Katsushika Hokusai, professional names Shunrō, Sōri, Kakō, Taito, Gakyōjin, Iitsu, and Manji, (born October 1760, Edo [now Tokyo], Japan—died May 10, 1849, Edo), Japanese master artist and printmaker of the ukiyo-e (“pictures of the floating world”) school.

How many paintings did Hokusai make?

Although his studio and much of his work was destroyed in a fire in 1839, the artist is thought to have produced 30,000 works over the course of his lifetime, his prolific output including paintings, sketches, woodblock prints, erotic illustrations and picture books. Hokusai spent his life anticipating old age.

What is the story behind the great wave off Kanagawa?

The Great Wave was created around 1831 as part of a series of woodblock prints called Thirty-six Views of Mount Fuji (Fugaku Sanju-roku Kei). The wave is about to strike the boats as if it were an enormous monster, one which seems to symbolise the irresistible force of nature and the weakness of human beings.

What techniques did Hokusai use?

Hokusai’s best-known works were done using the techniques of ukiyo-e, or Japanese wood block prints. Ukiyo-e are created by carving a relief image onto a woodblock, covering the surface of the block with ink or paint, and then pressing the block onto a piece of paper.

Was Hokusai a boy or a girl?

Katsushika Hokusai, (葛飾 北斎, c. 31 October 1760 – 10 May 1849) known simply as Hokusai, was a Japanese artist, ukiyo-e painter and printmaker of the Edo period.

What inspired Hokusai to paint the Great Wave?

Techniques Used During CreationHokusai was inspired by the “realness” of Western art. He tried to bring many of the Western techniques to the Japanese art culture. When he finished his paintings he would sign them horizontally as opposed to the typical vertical Japanese signature.

What is the central message of the Great Wave?

The wave is about to strike the boats as if it were an enormous monster, one which seems to symbolise the irresistible force of nature and the weakness of human beings. In the print, Hokusai conceived the wave and the distant Mount Fuji in terms of geometric language.