What is the story line of The Marriage of Figaro?
A manor house near Seville, the 1930s. In a storeroom that they have been allocated, Figaro and Susanna, servants to the Count and Countess Almaviva, are preparing for their wedding. Figaro is furious when he learns from his bride that the Count has tried to seduce her. He’s determined to have revenge on his master.
Who are the 4 main characters in The Marriage of Figaro quizlet?
Cast and vocal parts
- Count Almaviva, a nobleman (baritone)
- Countess Rosina, the count’s wife (soprano)
- Figaro, the count’s valet (baritone)
- Susanna, the countess’s maid and Figaro’s betrothed (soprano)
- Cherubino, a page (mezzo-soprano)
- Doctor Bartolo, a physician (bass)
- Marcellina, Bartolo’s housekeeper (mezzo-soprano)
Who is Figaro in The Marriage of Figaro?
Act I. Figaro, servant to Count Almaviva, is about to marry Susanna, the Countess’s maid. He measures a room for a bed, but Susanna is concerned that the room is too close to the Count’s chamber. She explains to Figaro that Almaviva is pursuing her. Figaro vows to thwart the Count’s plans.
How did Figaro save the young man from punishment?
The young man is ultimately saved from punishment by the entrance of the peasants of the Count’s estate, a preemptive attempt by Figaro to commit the Count to a formal gesture symbolizing his promise that Susanna would enter into the marriage unsullied. The Count evades Figaro’s plan by postponing the gesture.
Why does Susanna want to leave Figaro alone?
The Countess believes her husband no longer loves her, while Susanna wants him to leave her alone. Susanna tells the Countess that she and Figaro have a plan: Almaviva will receive a letter from Basilio informing him that his wife has taken up a lover.
Why was the opera the Figaro banned in France?
Figaro explores territory that many found worrisome when it was written in the mid-1780s — the often contentious relationship between the classes. That’s why the original play, by Beaumarchais, was banned by ruling authorities in France, and why Mozart’s opera made the Austrian monarchy more than a little bit nervous.
