What has Agnes de Mille choreographed?
Among the other musicals for which she staged the dances were One Touch of Venus (1943), Carousel (1945), Brigadoon (1947), Gentlemen Prefer Blondes (1949), Paint Your Wagon (1951), The Girl in Pink Tights (1954), and 110 in the Shade (1963). She also arranged dances for the films Romeo and Juliet (1936) and Oklahoma!
Who choreographed the musical Oklahoma?
Stephen Casey is the choreographer for PSF’s “Oklahoma!” Casey danced de Mille’s staging of “Oklahoma!” as a young dancer and was fortunate enough to have the history and the motivation of her choreography passed down to him.
Who choreographed Hamilton?
Andy Blankenbuehler
Meet Andy Blankenbuehler, choreographer of ‘Hamilton’.
Who choreographed rodeo?
choreographer Agnes de Mille
Resident Choreographer and Artistic Advisor Justin Peck’s Rodeo: Four Dance Episodes, with a cast of 15 male dancers and a single female principal dancer, was his eighth work for New York City Ballet. In 1942, the composer Aaron Copland wrote the iconic ballet score Rodeo for choreographer Agnes de Mille.
Is Agnes DeMille related to Cecil DeMille?
Agnes de Mille was born in New York City into a well-connected family of theater professionals. Her father William C. deMille and her uncle Cecil B. DeMille were both Hollywood directors.
Is Agnes de Mille related to Cecil DeMille?
Who choreographed the producers?
Susan P. Stroman
Wilmington, Delaware, U.S. Susan P. Stroman (born October 17, 1954) is an American theatre director, choreographer, film director and performer. Her notable theater productions include The Producers, Crazy for You, Contact, and The Scottsboro Boys.
Who was the choreographer for a week away?
Melena Rounis
The film was shot in Nashville, will feature reimagined songs from some of the biggest hits in Contemporary Christian Music history as well as original music from the film’s music producer, Adam Watts. Paul Becker and Melena Rounis choreographed the dance numbers.
What did Agnes de Mille do for American jazz?
An important and influential choreographer, director, and dancer, who “helped transform the American musical theater of the ’40s and ’50s.” After graduating with honors from the University of California, Agnes de Mille gave her first solo dance recital in 1928 at the Republic Theater in New York.
Who was Margot Fonteyn’s favorite dancing partner?
Helpmann was her most constant partner in the 1930s and 1940s, helping her develop her theatricality. Decades later Fonteyn would name Helpmann as her favourite partner across the span of her career.
