Is SM57 good for snare?
When it comes to micing a snare drum, the SM57 has pretty much dominated for the best part of 50 years. The SM57 adds just the right amount of low-end weight, while also adding presence and ‘crack’ to the drum. For this reason, the 57 is a go-to mic and has featured on countless records throughout music’s history.
What is Shure Beta 57A used for?
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Is Shure SM57 good for drums?
When it comes to micing a snare drum, the SM57 has pretty much dominated for the best part of 50 years. Having a great sound, timeless design, and being built to last helped secure the SM57’s reputation, but it’s also essential to have the right mic technique for the best results.
What is the Shure SM57 best for?
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording.
What mic is good for a snare?
Neumann KM 184 Cardioid Small-diaphragm Condenser Microphone – Matte Black. Ludwig Supraphonic Snare Drum – 5 x 14 inch – Aluminum with Imperial Lugs. Sennheiser MD 421-II Cardioid Dynamic Microphone. Beyerdynamic M 201 TG Hypercardioid Dynamic Instrument Microphone.
What mic is good for snare drums?
The 5 Best Snare Drum Mics
- Neumann KM 184. The Neumann KM 184 has a high sound pressure level, allowing it to capture loud snare drums with ease.
- Beyerdynamic M 201 TG Hypercardioid Dynamic.
- Sennheiser MD 421-II Cardioid Dynamic Microphone.
- Telefunken M80.
- Shure SM57.
What polar pattern does a Shure sm57 have?
cardioid pattern
With a uniform cardioid pattern and a pneumatic shock mount system, you get a whole lot of tone without the handling or background noise.
What are Shure Beta mics?
The Shure BETA 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The BETA 58A maintains a true supercardioid pattern throughout its frequency range.
Can you mic a kick drum with an SM58?
Is it wise to use a Shure SM58 on kick drum? The first reason is that your microphone placement may well compensate for this, somewhat, especially if you’re planning to use the mic inside the casing of the drum, where small changes in positioning can make an enormous difference to the amount of captured low end.
Why is the SM57 so popular?
The longstanding popularity of the Shure SM57 can largely be attributed to several factors. As we’ve outlined, its versatility means it’ll deliver great results in a huge variety of situations. Its build quality is peerless; they simply do not break, or have ‘off days’, or tremble under the weight of huge volume.
Is SM57 balanced?
Microphones That Output Balanced Audio Signals If a microphone has an XLR output connector, it outputs balanced audio. For example, the Shure SM57 dynamic and Rode NT1-A condenser microphones (pictured below) output balanced audio via XLR.
Is the SM57 really any good for snares?
The humble Shure SM57 is one of the most popular snare close mics for a reason — but it’s intended to work with other mics around the kit, not to deliver the perfect snare sound on its own! I’m just getting into recording drums (only using cymbal, kick, snare and tom mics so far), but I’m having real trouble getting a good snare sound.
What’s the difference between Shure Beta 57A and SM57?
The SM57 has a characteristic sound that Shure describes as a “carefully contoured presence rise.” That means it gives a boost to midrange tones. It also has a clean sound although it’s not as great at eliminating handling noise as the Shure Beta 57A described above.
What’s the difference between a sm57 and a 58?
Perhaps the most immediately obvious difference – at least from a visual perspective – is the grille design. The SM57 does not have a full protective grille – but there’s a good reason for this. In the absence of a protective ball shaped grille (like the one found on a 58) engineers are able to make full use of the proximity effect.
What can you do with a Shure SM7B?
Thanks to its extended frequency response and silky smooth high frequency response, the SM7b continues to be a popular studio microphone on major recordings. The SM7b is often used as the lead vocal mic and on other applications, such as guitar amps, bass amps, kick drums, hi-hat, snare drums, horns and many more.